DR. JOE’S BOOK OF THE MONTH CLUB GRACE RICHMOND’S THE TWENTY-FOURTH OF JUNE MIDSUMMER’S DAY

BLOG #21, SERIES #3

WEDNESDAYS WITH DR. JOE

DR. JOE’S BOOK OF THE MONTH CLUB

GRACE RICHMOND’S THE TWENTY-FOURTH OF JUNE

MIDSUMMER’S DAY

May 23, 2012

 

 

 

 

 

 

 

 

 

Of all the thousands of books I devoured during my growing-up years, none did I love more than our June selection: Grace Richmond’s The Twenty-Fourth of June, a paean to Midsummer’s Day (the Feast of St. John the Baptist), at the time of the Summer Solstice.  It is a love story like no other.  The story of a rather arrogant grandson of a millionaire who flits through life with little sense of purpose. Then young Richard Kendrick sees lovely Roberta Gray—and is transfixed.  But she is anything but, where he is concerned.  For dilettantes she has nothing but scorn.

 

Richmond’s unforgettable novel chronicles the clash that takes place when a man falls in love with a woman as beautiful inside as out—a woman not in the least interested in him.  When he persists, she throws down a gage at his feet: if he cares for her at all, he must agree to have nothing to do with her, have no contact with her, send her no gifts—no flowers even—for almost half a year.

 

Until Midsummer’s Day.

 

All the suspense of the novel is woven into the fabric of those months of noncommunication.

 

How it all plays out—well, you’ll have to somewhere, somehow, find a copy of this old book, and read it for yourself.

 

GRACE LOUISE SMITH RICHMOND

(1866 – 1959)

 

Grace was born on March 3, 1866, in Pawtucket, Rhode Island, to a minister father, the Rev. Dr. Charles E. Smith and mother, Catherine “Kitty” Kimball Smith.  Grace was a direct descendant of the state’s founder, Roger Williams.  An only child, Grace grew up the focal center of her parents’ manse.  In 1885, after having pastored Baptist churches in Mt. Auburn, Ohio; New Haven, Connecticut; and Syracuse, New York, Dr. Smith was called to Fredonia, New York; and there he would remain for the rest of his life.  On Oct. 29, 1887, Grace married the personable young family doctor, Dr. Nelson G. Richmond, who purchased a home next door to the manse.  So after marriage, Grace merely moved next door.  And it was here in Fredonia that the bride would write her many stories, essays, and novels.

 

The home.  It all starts there, the action happens there, and it all ends there.  Because of this, Grace Richmond is known as The Novelist of the Home.”  Of the thousands of writers who have written about the home, only Richmond earned that title.  Only in her fictional world is the home the all-in-all, the core, the bedrock.

 

Among her other beloved books are novels such as The Indifference of Juliet, The Second Violin,

A Court of Inquiry, Red Pepper Burns, Strawberry Acres, The Brown Study, Red Pepper’s Patients, Red and Black, Foursquare, Cherry Square, Lights Up, At the South Gate, the Listening Post, High Fences, and several Christmas novelettes.  She was among the most prolific short story writers in America. Most of her novels were serialized as well.  For 40 years, she was never out of print.  Of the dominant family authors of the first half of the twentieth century, only Zane Grey, Gene Stratton Porter, and Harold Bell Wright were better known than she; and her name ranked up there with Frances Hodgson Burnett, Kate Douglas Wiggin, Lucy Maud Montgomery, Pearl S. Buck, Bess Streeter Aldrich, and Temple Bailey.  It was illustrious company indeed.  At the height of her popularity she was paid upward of $30,000 for magazine serializations (a princely sum back then!).  Doubleday would sell more than 2,500,000 copies of her books.

 

THE FOCUS ON THE FAMILY/TYNDALE HOUSE EDITION

 

Of the twelve classic books I edited for our Focus on the Family Great Stories Series, one was The Twenty-Fourth of June.  It was also the first to sell out; consequently, copies have always been scarce for apparently readers appear unwilling to part with the book.  At the front of it is my 55-page biography (which I researched and wrote over a year’s period) and at the back, discussion questions for families, teachers, and home-schoolers.  I also include a complete bibliography of all her books and stories.

 

Candidly, I actually feared returning to a book I’d loved so much when I was young.  I needn’t have worried: I was gripped with the same fascination as before, even though I knew how it all came out.  The title was an inspired choice; there is a symbiotic relationship between the plot and the title—each enhances the other.  How many book titles can you think of which are limited to a month and a day?  Richmond’s genius is that if you can remember the title, you can remember the plot.

 

But it is more than that, because the date represents far more than the cutting of the proverbial Gordian Knot, the denouement; it is the source of all the suspense.  All through the second half of the book, the reader reels back and forth between two questions: Will he make it?  And, if he does make it, will it be enough? I know of no other book that incorporates quite the same structure, the same crescendo, of suspense.

 

Copies are available on the web, both the Doubleday edition and the A. L. Burt reprint edition.  Since it is the rarest Focus/Tyndale classic book, I can’t help much as I have only four copies left (all new, unread) at $95 (I’ll include postage and insurance in that price; and inscribe them personally if requested to do so).

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