WILLIAMSONS AND TRAVEL

 

WILLIAMSONS AND TRAVEL

For Oct. 19, 2011

As we begin to pack our suitcases for our auto-trip through our Southwestern national park lodges, I thought this would be the perfect time to see if I couldn’t siphon some money out of your pockets.  After all, that’s what’s been happening to me ever since the first time I stumbled on a Williamson book many years ago.

Have you ever wondered what it would have been like to travel when the automobile was new?  When there were no transcontinental highways (how about hardly any paved roads at all!), motels, service stations, AAA, repair garages, etc.?  Not to mention automobiles that broke down so often that only the foolish traveled without a chauffeur, mechanic, and ample supply of spare parts and tires.

Well, imagine no more.  Back in 1902, an adventuresome British husband and wife writing team, C.M. and A.M. Williamson, partnered with Doubleday Page to produce one of the most fascinating and informative series of travel novels ever written.  Before they could write such a book, however, the fearless couple had to themselves explore a given travel route.  In the process, they devoured local travel lore, legends, history, historical romances—all kinds of fascinating side trips.  Then they incorporated all the usual mechanical breakdowns, and stirred in enough romance to keep the reader up half the night turning pages.  In short, there has never been another series like theirs!  There could not be, for the age vanished almost as quickly as it began.

Following are the books I have been able to find (first editions when possible):

  •   The Princess Passes                                (1903-4)                         Early automobile
  • The Lightning Conductor                        (1903, 1905)                 Early automobile
  • My Friend the Chauffeur                         (1905)                              Early automobile
  • Lady Betty Across the Water                 (1906)                         General early travel
  • Rosemary in Search of a Father            (1906 – 1907)            General early travel
  • The Princess Virginia                               (1907)                         General early travel
  • The Chaperon                                              (1907 – 1908)            Water travel
  • Set in Silver                                                 (1909)                         Early automobile
  • The Motor Maid                                         (1910)                        Early automobile
  • Lord Loveland Discovers America      (1910)                         Early American travel
  • The Golden Silence                                     (1911)        Travel in desert lands (including camel transportation)
  • The Port of Adventure                         (1913)                         General travel
  • It Happened in Egypt                          (1914)                         Egyptian travel
  • Secret History                                        (1915)                         Early airplane travel
  • The Lightning Conductor                    (1916)                         Early automobile Discovers America
  • Winnie Childs: Shop Girl                    (1916)                          General romance
  • Everyman’s Land                                    (1918)                        End of World War I travel
  • The Lion’s Mouse                                    (1919)                         Post-war travel
  • The Second Latchkey                             (1920)                         General
                                                                                               

Here are some passages from their 1905 novel, My Friend the Chauffeur, that will give you a sense of their writing style:

In France: “. . . we moved like a ship under full sail; but suddenly the road reared up on its hind feet and stood almost erect, as though it had been frightened by the huge snow-capped mountains that all at once crowded round us.  An icy wind rushed down from the tops of the great white towers, as if with the swooping wings of a giant bird, and it took our car’s breath away” (118-19).

In Italy: “It [Certosa of Pavia] was too beautiful to chatter about.  But it did seem strange that so pure and lovely a building could have owed its existence to a crime.  I had heard Mr. Barrymore telling Mamma that it was originally founded in thirteen hundred and something, by the first Duke of Milan with the view of taking off the attention of Heaven from a murder he had committed—quite in his own family—which got rid of his father-in-law, and all the father-in-law’s sons and daughters at the same time.  No wonder it took a whole Certosa to atone for it. . . .”(164).

Bellagio, on Lake Como: “The rest of the party were on an entrancing terrace, looking down over other flowery terraces upon the town of Bellagio, with its charming old campanile, and its grey roofs like a flock of doves clustering together on the border of the lake.  The water was so clear and still that the big hotels and villas on the opposite shore seemed to have fallen in head down, and each little red-and-white canopied boat waiting for passengers at the quay had its double in the bright blue mirror.  Clouds and mountains were all reflected too, and it seemed as if one might take one’s choice between the real world and the dream world” (192).

My favorite passage from the book, however, is from Maida (the loveliest passenger in this ancient Panhard automobile) who plaintively poses this rhetorical question: “What becomes of the beautiful army of days marching away from us into the past?  The wonderful days, each one differing from all the others: some shining in our memory, in glory of purple and gold, that we saw only as they passed, with the setting of the sun; some smiling back at us, in their pale spring dress of green and rose; some weeping in gray; but all moving at the same pace along the same road?  The strange days that have given us everything they had to give, and yet have taken from us little pieces of our souls.  Where do the days go?  There must be some splendid world where, when they have passed down to the end of the long road, they all live together like queens, waited upon by those black slaves, the nights that have followed them like their shadows, holding up their robes.

“I’ve had this thought in my mind often since I have been flashing across Europe in an automobile, grudging each day that slipped away from me and would not stay a moment longer because I loved it.  I wish I knew the way to the land where the days that have passed live; for when those that are to come seem cold to me, I would like to go and pay the old ones a visit.  How well I would know their faces, and how glad I would be to see them again in their own world!” (205).

If you too are getting the Williamson bug, just log on the Internet and begin chasing down these wonderful travel romances.  Your travel life will never afterwards be the same!

* * *

Next Wednesday, we’ll ourselves hit the road.  Please come along.


TREASURES FROM THE PAST #1

One of the responses to the survey has already had its effect: it urged me to keep mining the bullion of the past in my blogs.

I have been working around the clock on my eighth collection of animal stories (Animals of the Jungle). As I searched for stories, in a long-ago essay written by Hildegarde Hawthorne (granddaughter of Nathaniel Hawthorne), published in a magazine for young people early in the twentieth century, I found a timeless treasure of thought perfect as the follow-up to last Wednesday’s blog: “Don’t Wait Until Tomorrow.”

It was inspired by Emerson’s famous poem:

DAYS

“Daughters of Time, the hypocritic Days,
Muffled and dumb like barefoot dervishes,
And marching single in an endless file,
Bringing diadems and fagots in their hands,
To each they offer gifts after his will,
Bread, kingdoms, stars, and sky that holds them all.
I, in my pleached garden, watched the pomp,
Forgot my morning wishes, hastily
Took a few herbs and apples, and the Day
Turned and departed silent. I, too late,
Under her solemn fillet saw the scorn.”

THE DOORWAY OF THE DAYS
by Hildegarde Hawthorne

A day is a wonderful thing. It is like a great doorway flung wide for you to pass through into all manner of adventures. One after the other, these doorways open to you, each different, each opening on a fresh prospect. Fresh, yourself, after the rest and the stillness of night, you stand each morning on the threshold, and then you step through and are launched on what that day has for you.

Of course, the day, being as it were just this welcoming doorway, can not make you go out to meet what it holds. You can refuse its mighty invitations. It may be a day that opens on shadowy forest paths, on blue headlands, a day where nature is at her most beautiful best. Again it may hold a splendid hour or two of companionship with some one who could tell you much of this nature, who could give you new insight into her mysteries, who could explain what hitherto you had never understood. It might be a day made for running feet and for laughter and joy. It has opened the wide doorway to all this. But of course you can refuse it all. You can turn your back on the prospect before you, spend your hours indoors, fail to meet the friend who was waiting, sulk over some fancied slight or trouble, worry and exhaust yourself in various ways. The doorway of the day will swing close, at last, and the possibilities on which it opened will have gone, perhaps forever.

Supposing you had only one day to live in, like some of the ephemera, whom you may watch in summer, dizzy with their dancing, in a sunbeam. Just one day! Well, it would hold twenty-four hours. How splendid! How much you could do in that time. And how much to choose for the doing, the seeing, the hearing, the feeling, the thinking! A sunrise and a sunset, stars, a moon maybe, winds swaying tree-tops or ruffling water; and then comrades to play with, a fine book to read, music to hear; a ride, perhaps, in a motor-car or on a horse, a walk in a country lane or along a street filled with all manner of things worth looking at; there would be meals to eat, a lesson to study. You would have the joy of bodily exercise, the joy of loving, the delight of conversation with friends. Each hour would hold its own miracle.

At the end, before sleep came, you would find no words to describe the marvel of a day. Room in it for the exercise of all your faculties, for dreams and for reality, for play and for work. A great round day, and you alive in it.

You see, just because there is more than one day, we get too used to them to remember what they really are. We let them slip through our fingers, with their adventures unlived, their beauty unseen. Many a day has been treated as though it were just a bore, when it was simply bursting with exciting thrills. Many a day that held in it a wonderful thing, which you would have cherished all your life, has been allowed to pass away empty. For only what you take from the offerings of each day is yours.

Do you ever think over the manifold ways in which each day is spent by the people on this earth? How an Eskimo spends the day you have given over to school, to football practice, or a game of tennis or to skiing, to a matinee or a quiet time reading while the storm beats on the windows and shouts over the house? How that same day is being spent by a savage in Africa, by a Russian refugee, a coal-miner, a seaman? You can get some notion of all that a day opens on if you let your mind wander a bit in these directions.

It seems to me that the great difference between those who lead a full and interesting life and those who don’t is that the first do not let the fact that there are three hundred and sixty-five days in a year dull the wonderful possibilities of each individual day. They look before and after, of course, for the past and the future add richness to the present. But the day itself is the thing. Because tomorrow you are to go on an entrancing journey, or to the dentist, there is no reason for slighting today. It too has its worth and its gift. Live it. The combination of you and a day is too wonderful to be missed. People throw days away as if they were worthless pebbles, and then complain that life is a poor affair. One of Emerson’s noble sayings was, “Give me health and a day and I will make the pomp of emperors ridiculous”; and as you grow older you will cherish also in your memories his brief poem on “The Days.” It is a vivid picture in words of what I have been trying to set forth; and every earnest boy and girl can imagine the days going on about their tremendous business rather bewildered and rather amused. Here we are, they say, full of everything. And look how we’re treated and hear how we’re reviled! What’s the matter with these people, anyway?

And then the Days will show each other the unused things they had ready, which were never asked for, like handfuls of fine jewels shining in the light, but which no one stooped to pick up.

“Funny business!” sigh the Days, and if they had heads, there’d be reasons a-plenty for shaking them.

It is interesting to realize that the day that opens its great gate to you is for you only. No one else has just the same day. Even though you go every hour of the twenty-four close with a sister, a brother, a dear friend, and though what happens to you happens too to him or to her, as the case may be, yet the day will not be alike. Half of everything is the thing itself; the other half, its effect on you; and that effect can never be exactly duplicated. That is why it is that one person will get joy and interest out of a day that another will find merely tiresome.

The best will in the world can not keep dull days and dark days entirely away. You are going to miss quantities of things that you could have enjoyed, because you are tired or out of sorts or disgruntled. Other things will come to you that will be hard to bear and sad to live through. But for all that, the greater portion of your days are good days. The doorway they provide leads to much, and it is your own fault if you get only a little.

The fun of being alive and of having these days opening up, one after the other, is tremendous. Out you go to meet them, with your body, your mind, your senses, your questing spirit. You find things to laugh over, or cry over. You find things that set your mind to keen working or that strengthen your muscles or train the faculty of sight or of hearing, that make more proficient your hands, more skillful the whole bearing of your body. You meet something new to you, and have to readjust yourself and your ideas to take it in. To something else you say good-by for the last time. You will have your own interests, however, and the more, the merrier.

As your mind grows and develops, so the interests of your days should grow and extend, and each day coming ought to be more than the one gone, for you yourself are more. The trouble often is that one drops something for each new thing taken up. The play and the ecstasy of youth is lost with the deeper feeling and growing cares of maturity. But the girl or boy who goes on into maturity without losing too much of that young rapture becomes the best sort of man or woman. Don’t let your life go dry; let it keep its sap and freshness. Artists usually excel in this wisdom. The child lives on in them, making them richer and their days more radiant because it has not withered out of them. Keep what has come, and go on to what is due, and you will not be likely to find life a bore or a burden.

I remember how long a day appeared to me when I was a child—not too long, I enjoyed every moment of it, but so much longer than it does now. I had a better understanding of how great a day is, then. Now it seems short; sometimes I feel as though it merely winked at me and vanished. I can quite imagine that when I move on into eternity that eternity will soon seem to be short enough for all I want to do and be. Think of standing and waiting while the great door of eternity swings open and lets you through! But of course a day is after all a portion of eternity, and maybe it is because we are close to one end of eternity in childhood that days are eternal to us then. Why, any spring morning that was fair and welcoming I remember how I would go to lie under a certain apple-tree where the grass grew thick and the bending branches swept it, making a bower of bloom. And there I would dream away several days in a space that must really have been only a couple of hours. I would like to get back the glorious leisure of those days, to feel the promise of eternity in them; but though I haven’t lost the sense of the magnificence of a day, I can’t hold on to its vastness.

Except always in what it offers.

Now and again a day will come with a gift so splendid that you can not help but recognize it and acclaim it. You will say, as you have heard others say, “That was a great day in my life!” But don’t disdain the other days, that blow no trumpets and open no golden treasure-chests. They have their own wonderfulness, that calls to the wonderfulness in you, and through their mighty doorways you step to everything in life.

St. Nicholas, January 1923